This song started off with Tori's idea of writing about “ghosting” someone. It was an awesome concept, and we set out to make the production as creepy/ethereal as possible. Colton started it off with a “creepy sounding synth” he found. Overall, we wanted the track to sound more modern, so I programmed light trap snares throughout the composition. I filtered them down a bit, giving the beat a darker feel. My personal favorite drum sound in the track is the layered “2 and 4” in the pre chorus section. I layered a couple of “block” sounds with a thick clap to build up the track. As a musician, I tend to want things to drastically build and drop, section by section, similar to a live performance. To acheive this, we layered the pre choruses and chorus with uplifters and downlifters. This also helped to modernize the track a bit. These effects are coupled with filters, thus creating much smoother transitions.